“After Bandung: Transacting the Nation in a Postcolonial World,” Postwar – Art between the Pacific and Atlantic 1945 – 1965, Exh. Cat., Haus der Kunst, Munich, 2016, 632–37. Munich: Prestel Verlag, 2016.
“Dwelling in Abstraction: Post-Partition Segues into Postwar Art,” To Draw the Line: Partitions, Dissonance, Art – A Case for South Asia, Third Text 31, no. 2-3 (2017): 433–57.
“Belatedness and Simultaneity: A Short History of Photography from India,” Postdate: Photography and Inherited History in India, Exh. Cat., San Jose Museum of Art, 2015, 24–35. Berkeley: University of California Press, 2015.
“Art History and the Global Challenge: A Critical Perspective,” Artl@s Bulletin 6, no. 1 (2017): 20–25.
“In a Post-colonial Diction: Postwar Abstraction as Aesthetics of Modernization,” Art Journal 72, no. 3 (Fall 2013): 30–47.
“The Global, The Local, The Contemporary, The Collaborative,” in Rethinking Place in South Asian and Islamic Art, 1500–Present, edited by Deborah S. Hutton and Rebecca M. Brown, 78–93. London and New York: Routledge, 2016.
“Is Art History Global? Responding from the Margins,” in Is Art History Global? edited by James Elkins, 348–57. New York: Routledge, 2007. (Coauthored with Sugata Ray)
“Kitchen Conversations,” Prajakta Potnis: Store in a Cool and Dry Place, Exh. Cat., Künstlerhaus Bethanien, Berlin, 2014, 52–57. Bönen: Verlag Kettler, 2014.
“Ghar Pe/At Home in the Margins of Contemporary Art,” Yishu: Journal of Contemporary Chinese Art 13, no. 2 (March/April 2014): 53–61.
“On Territoriality, Temporality, and the Politics of Place,” The And: An Expanded Questionnaire on The Contemporary, Field Notes, AsiaArt Archive Journal 001 (2012): 73–80. (Published in Chinese and English)
“Modern and Contemporary Art of South Asia,” in Oxford Bibliographies in Art History, edited by Thomas DaCosta Kaufmann. New York: Oxford University Press, 2014. Available from <http://www.oxfordbibliographies.com>
Review of Thai Art: Currencies of the Contemporary, by David Teh, in Southeast of Now: Directions in Contemporary and Modern Art in Asia 2, no. 1 (March 2018): 223–28.
“Cosmopolitan Modernism and a Politics of the Self in Muslim South Asia,” Review of Modernism and the Art of Muslim South Asia, by Iftikhar Dadi, in Art Journal 71, no. 3 (Fall 2012): 117–19.
“‘For every one of them, there are ten of us’: A Baroda Diary, 9–14 May, 2007,” Diaalogue, Asia Art Archive, Hong Kong, June 2007. <http://www.aaa.org.hk/Diaaalogue/Details/111> (Published in Chinese and English)
“Qin Yufen,” “Tsou Choi Tsang,” “Ho Siu Kee,” “F. X. Harsono,” “Heri Dono,” in Benezit Dictionary of Asian Artists, edited by Pamela Kember. New York: Oxford University Press, 2013.