"When the Wind Blows"
Prajakta Potnis, When the Wind Blows, Project88, Mumbai, 2016
When the wind blows. Quotidian objects of domestic use – table fans, chopping boards, kitchen mixers, synthetic packing material – take on the semantic and material qualities of drawing, photography, and sculpture to chart conceptual routes between drawing and photography. See more at: http://project88.in/journal/2016/02/18/when-the-wind-blows-atreyee-gupta/
Global Modernisms: Contiguities, Infrastructures and Aesthetic Practices
Haus der Kulturen der Welt, Berlin, November 6, 2015 | 9.30 – 10:15
Introductory remarks by Hannah Baader (Art Histories and Aesthetic Practices/Kunsthistorisches Institut Florenz/Max-Planck-Institut) and Atreyee Gupta, Global Modernisms: Contiguities, Infrastructures and Aesthetic Practices, 5-7 November 2015, Haus der Kulturen der Welt, Berlin, organized by the Forum Transregionale Studien and the Max Weber Stiftung in cooperation with the Haus der Kulturen der Welt and convened by Art Histories and Aesthetic Practices.
It is Difficult to Change the DNA of a Museum
Atreyee Gupta in conversation with Ming Tiampo, Berlin, November 5, 2015 | 15:00 – 15:30
Which kind of concepts do we have to speak about modernism for the Non-West? Why is it essential to look at the so called “peripheries” when we think about multiple modernisms? Can we observe a “Cultural Mercantilism” in the arts? The art historian Ming Tiampo (Carleton University in Ottawa, Canada) in conversation with Atreyee Gupta discusses these questions and presents her new research project “Paris from the Outside In” which seeks to decolonize current narratives of Paris as modernism’s point of origin, and re-theorize how we think and write about artistic centers.
Who is written into the history of India, of Europe, or of the world?
TRAFO - Beitäge zur transregionalen Forschung, April 13, 2015
“Who is written into the history of India, of Europe, or of the world?” 5in10, TRAFO - Beitäge zur transregionalen Forschung, Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im Ausland, April 13, 2015
Contemporary art at its limits, or, Can all contemporary art be collected?
Collecting South Asia: Archiving South Asia, University of California, Berkeley, February 18, 2014
"Contemporary art at its limits, or, Can all contemporary art be collected?" Collecting South Asia: Archiving South Asia, Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, February 18, 2014
For every one of them, there are ten of us
Diaalogue, Asia Art Archive, Hong Kong, June 2007
“‘For every one of them, there are ten of us’: A Baroda Diary, 9–14 May, 2007,” Diaalogue, Asia Art Archive, Hong Kong, June 2007